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Rasa (aesthetics)
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Rasa (aesthetics) : ウィキペディア英語版
Rasa (aesthetics)

A rasa ((サンスクリット:रस) lit. 'juice' or 'essence') denotes an essential mental state and is the dominant emotional theme of a work of art or the primary feeling that is evoked in the person that views, reads or hears such a work.
Although the concept of rasa is fundamental to many forms of Indian art including dance, music, musical theatre, cinema and literature, the treatment, interpretation, usage and actual performance of a particular rasa differs greatly between different styles and schools of abhinaya, and the huge regional differences even within one style.
==Elements==

Bharata Muni enunciated the eight Rasas in the ''Nātyasāstra'', an ancient work of dramatic theory, written during the period between 200 BC and 200 AD. Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There are 4 pairs of rasas. For instance, Hāsya arises out of Sringara. The Aura of a frightened person is black, and the aura of an angry person is red. Bharata Muni established the following.
* (शृङ्गारं) Love, Attractiveness. Presiding deity: Vishnu. Colour:green.
* (हास्यं) Laughter, Mirth, Comedy. Presiding deity: Ganesha. Colour: white.
* (रौद्रं) Fury. Presiding deity: Rudra. Colour: red.
* (कारुण्यं) Compassion, Tragedy. Presiding deity: Yama. Colour:dove coloured.
* (बीभत्सं) Disgust, Aversion. Presiding deity: Shiva. Colour: blue
* (भयानकं) Horror, Terror. Presiding deity: Kala. Colour: black
* (वीरं) Heroic mood. Presiding deity: Indra. Colour:wheatish brown
* (अद्भुतं) Wonder, Amazement. Presiding deity: Brahma. Colour: yellow

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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